Posts Tagged: Inking

“Inking” Digital Comics

Inked linework is an iconic element of comics. Duh.

But have you thought about why? I guess because of the whole history of how the art form evolved; I’m not an expert on that. But it makes sense to me that Doré et al. etched rather than painted for book illustrations, and that Outcault et al. inked cartoons in a way that could be reproduced on plates. Pencil, pastel, and paint and other media just don’t play as nice with printing presses as clean linework does.

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Tools of the Trade: Traditional Inking

Inking may be one of the most misunderstood disciplines of the comic art world. All it involves is tracing over lines that have already been drawn, right? Well, there’s a bit more to it than that; the craft is actually quite complicated with its variety of tools and methods to complete the given task. (more…)

Should we “Ink” Digital Comics?

Inked linework is an iconic element of comics. Duh.

But have you thought about why? I guess because of the whole history of how the art form evolved; I’m not an expert on that. But it makes sense to me that Doré et al. etched rather than painted for book illustrations, and that Outcault et al. inked cartoons in a way that could be reproduced on plates. Pencil, pastel, and paint and other media just don’t play as nice with printing presses as clean linework does.

[Tweet “Pencil, pastel, and paint and other media just don’t play as nice with printing presses as clean linework does.”]

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It’s Called Freelancing – Part 3

Missed the first installment of this article series? Read it here.

So what exactly are fair rates? This is the million dollar question. It’s very difficult to get a straight answer, and everyone will give you a different one. Here are page rates as determined by the Graphic Artists Guild from a few years back:

  • Writers (plot and script) $75-120
  • Painted art $150- 350
  • Layouts/Breakdowns $35-100
  • Penciled Art $55-200
  • Background art $10-25
  • Ink Art $45-150
  • Lettering $18-35
  • Lettering on overlay $20-35
  • Coloring art $75-150

Those are some pretty wide ranges, but it gives you an idea. Depending on your abilities, some employers may offer more, some may offer less. If you’re new to professional illustrating, these rates may be a little bit lower for the first few years as you gain experience. After looking at these, I feel that my rates are are actually rather low in a lot of cases, but they do fluctuate a lot. I take different variables into account before submitting a quote: the time frame involved, the complexity of the art, what style of coloring is needed (digital vs watercolor), who keeps the original art, what my other commitments are at the time of production, and anything else that may be a factor. Don’t forget that communication can eat up a lot of time, too. Sending emails, making phone calls, creating invoices – these things will eat up your time faster than you can imagine! Sometimes my rates are higher, sometimes they are lower. But I always quote what is fair to me based on the needs of the project. And see, writers should be getting paid a fair wage, too. But that’s a story for another time…

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Drawing Pains

Do you ever draw to the point where your hand feels like it wants to completely fall off? Till your wrist is nearly broken, or your knuckles are about to bleed? I think pretty much everyone who draws daily is destined for this kind privileged pain. For me, I get this strange shooting pain that starts at the tip of my thumb and goes halfway up my arm. It’s like a jolt of lightning.

Lousy nerves.

Even though I’m right handed, I draw more like a lefty. I use four fingers to hold my drawing/inking tool and I sometimes bend my wrist funny. Parents and teachers used to criticize me for this, but they didn’t really make any efforts to encourage me to hold my pencil the correct way. To make things worse, I grip my pencil way too tight. This is what leads to the shooting pain. As soon as that pain starts to set it, I know it’s time to quit drawing for the day or else things will only get worse. When I force myself to continue, I find myself spending more time erasing the countless mistakes I make than anything else. It’s pretty frustrating when the pain sets in when I’m on a deadline or when I’m really immersed in my work.

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