Posts Tagged: Creative

Hand Lettering A Digital Comic, Part 3

Once you have your lines of text set out, it’s time to launch into the final stage of lettering a page: composing your text on the page, and this is where I think hand-lettering shows a great advantage over font or mechanical lettering: flexibility.

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Anatomy Of A Storyboard Part 2: Continuity

Part one of this article discusses the ways in which storyboarding relates to comics as a visual, storytelling medium. Check it out for an explanation of storyboard frame dimensions, shot terminology, and camera movement.

Not everything about storyboarding translates perfectly to making comics. All movement is implied in comics. Although storyboards are technically just as static, film literally captures movement.

Actually, scratch that. Comic panels may not observably move, but in the mind’s eye, they do.

Think about it. Through the composition of the panel, the viewer is forced to move their eye in the direction the artist wants. This may or may not coincide with the implied path that the character will follow out of frame. The size, shape, and sequence of panels determines the pacing of the story for the reader. You can control movement, of a sort. (more…)

Anatomy Of A Storyboard Part 1: Terms & Techniques

Don’t look so confused.

Sure, an article about storyboarding may not be the first thing you’d expect on a site about making comics. Art, writing, marketing — these clearly apply to comics as they do many other creative pursuits. But storyboarding? That’s a movie-making technique.

While it’s true that storyboarding is an efficient process for visualizing a movie or television show prior to filming, storyboards actually share many similarities with comic books. They both tell stories through a sequence of drawings, using the same composition and framing techniques to help the audience follow along. Another shared attribute, one few people realize, is that each medium is transitory. Storyboards are meant to be tools that facilitate a film. They aren’t intended for public consumption, and exist only to serve the final form of the project. Comics are storytelling tools as well. No individual panel or drawing is meant to interfere with the story. The action exists in the imagination of the reader. (more…)